Cara Mia Book One of the Immortyl Revolution by Denise Verrico

Rating: 
4

If you like your vampires with a mix of science fiction then Cara Mia Book One of the Immortyl Revolution by Denise Verrico is the book for you.

The story begins with the main character Mia running for her life. The reader is not sure if she is chasing or being chased, is she is the vampire of the story or simply another victim. The story begins with a fast pace like that and to hold the reader until the end.

You learn she is running form her abuse lover Ethan and the story that they hold together is told through very dark and violent flashbacks. Ones that show her being  mentally, physically, and sexually abused. You begin to see her character develop and why she is so willing to walk into the sun.

As the story continues you realize that even though the book is listed as urban fantasy it has a very strong science fiction twist to it. the main story is about how she and another vampire named Kurt has turned themselves in for research and experimentation. They hope to find a cure for being an Immortyl.

To read more go here- http://www.examiner.com/x-12968-Lexington-Vampire-Examiner~y2010m5d26-Cara-Mia-Book-One-of-the-Immortyl-Revolution-by-Denise-Verrico

Fanged Films

From the Library

As the 20th century evolved, rational man turned to science to explain mythology that had pervaded for thousands of years. How could a man be mistaken for a vampire? How could someone appear to have been the victim of a vampire attack? Science, in time, came back with answers that may surprise you.Anemia
A million fancies strike you when you hear the name: Nosferatu!N O S F E R A T Udoes not die!What do you expect of the first showing of this great work?Aren't you afraid? - Men must die. But legend has it that a vampire, Nosferatu, 'der Untote' (the Undead), lives on men's blood! You want to see a symphony of horror? You may expect more. Be careful. Nosferatu is not just fun, not something to be taken lightly. Once more: beware.- Publicity for Nosferatu in the German magazine Buhne und Film, 1922  

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